clark gable menu  main  wallpapers  trailers  filmography  autograph  contact address  links quote Rhett: Don't start flirting with me. I'm not one of your plantation beaus. I want more than flirting from you. Scarlett: What do you want? Rhett: I'll tell you, Scarlett O'Hara, if you'll take that Southern-belle simper off your face. Someday, I want you to say to me the words I heard you say to Ashley Wilkes: I love you! Scarlett: That's something you'll never hear from me Captain Butler as long as you live. trivia He worked as a lumberman in the Willamette valley of Oregon in the early 1920s. After a couple of months of doing that, he quit, saying "that the work was too hard", and he would rather act, instead. He then left to go to Hollywood, where he began his acting career. recommended celebs  - Dennis Quaid  - Robin Williams  - Paul Reubens  - Peter Falk  - Bruce Campbell  - John Wayne  - Luke Wilson  - Ron Ely  - Michael J. Fox  - Michael Vartan

Gone with the Wind (1939) Trailer - Connection Speed 100K (Warner Bros) Trailer - Connection Speed 300K (Warner Bros) Trailer - Low (The New York Times) Trailer - High (The New York Times) Trailer - Connection Speed 56K (Warner Bros) Trailer - Connection Speed 56K (Warner Bros) Trailer - Connection Speed 100K (Warner Bros) Trailer - Connection Speed 300K (Warner Bros) Hot-tempered, self-centered, part-Irish Southern beauty Scarlett O’Hara, played to the teeth by Vivien Leigh, loves the gentlemanly Ashley Wilkes. Smug, rebellious, honest blockade-running profiteer Rhett Butler, portrayed gracefully and naturally by Clark Gable, loves Scarlett. Ashley, who is also in love with Scarlett, marries his genteel cousin Melanie because he believes that their quiet similarities will create a better marriage than Scarlett’s passion. Meanwhile, sparks fly between Rhett and Scarlett at their first encounter and continue throughout Scarlett’s first two marriages. Scarlett and Rhett finally wed, but Scarlett continues to pine for her beloved Ashley. Set against the Civil War and Southern Reconstruction, this tragic love quadrangle offers the burning of Atlanta and fields of wounded Confederates as part of its lush scenery. Meticulous backdrops, glorious sunsets, numerous silhouettes, and the ultrasaturated Technicolor film create a hyperreal vision. The romantic score is every bit as lush and dramatic as the photography, borrowing folk melodies from the Old South to make the tragic war concrete. Heavy nostalgic tones pervade the often witty dialogue and larger-than-life charms and faults of the leads. GONE WITH THE WIND stands among the greatest epic dramas ever filmed.

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