I read in a paper here [England] about a woman who held out the part of her taxes that would go to the war effort. Something like 17%. I like that idea, though in the US it would have to be more like 50%. If you consider money as a form of energy, then we see half our taxes and half the US government's energy focused on war and weapons of mass destruction. Over the past 30 years, this amounts to more than ten trillion dollars. Imagine that money going to preserving rainforest or contributing to a sustainable economy (as opposed to the dinosaur tit we are currently in the process of sucking dry).
A mild-mannered businessman (Sandler) is wrongly accused of a crime and sentenced to an anger management program, where he discovers that his instructor (Nicholson) is a crazy psycho with his own serious anger management problem, and is probably the one man in the world most capable of making his new student blow his lid.
A pair of New York City transit cops (Woody Harrelson and Wesley Snipes), who also happen to be constantly bickering foster brothers, try to thwart the theft of the subway system's "money train," while dreaming of someday robbing it themselves. This explosive action flick drew the ire of government officials when a similar robbery attempt occurred after the film's release.
Oliver Stone's over-the-top satire on America's worshipful fascination with tabloid criminals stars Woody Harrelson as Mickey Knox and Juliette Lewis as girlfriend-wife Mallory Wilson. Commencing with the dual murder of Mallory's sexually abusive father (Rodney Dangerfield) and grossly negligent mother (Edie McClurg), the anomic couple take off on a three-week killing spree across the country, telling everyone who they are so that they get the credit for their crimes. The media are immediately enthralled with the couple, especially Wayne Gale (Robert Downey Jr.), the bloodthirsty host of a tabloid TV show who follows their every move. By the time they're finally arrested, they've become such huge media stars that the cops treat them more like celebrities than criminals. Even the maniacal limelight-hogging warden of the Batongaville State Prison, Dwight McClusky (Tommy Lee Jones), is in awe. Stone pulls out all the stops in the prison riot, as the unwitting Gale becomes an unwilling participant in his own broadcast of the event. Again the director switches from film to video, from color to black and white, from sitcom parody to newsreel parody, and from one film stock to another, hoping to jar the audience out of its complacency with visual hyperbole.
