In some ways, this one was harder, because I felt like I was doing an impersonation of myself. Which, aside from being nearly impossible, is really weird. - comparing making Batman Returns (1992) to the first "Batman" film
trivia
According to Mike Myers on "Revealed with Jules Asner" (2001), Keaton saw the comic actor perform at Second City Toronto. After the show ended, Keaton went to personally congratulate Myers and said, "Keep up the great work." Myers would soon work with Keaton on an episode of "Saturday Night Live" (1975) when Keaton was guest host.
Lindsay Lohan stars as Maggie Peyton, the new owner of Number 53 - the free-wheelin' Volkswagon bug with a mind of its own - and puts the car through its paces on the road to becoming a NASCAR® competitor. Herbie's got some new tricks under his hood.
Ron Howard directed this lightning-paced, high-energy drama following one day in the life of Henry Hackett (Michael Keaton), a frantic metro editor for a fictitious New York tabloid. While investigating the apparently race-related killing of two white businessmen found murdered in their car, Hackett discovers a conspiracy by the police involving the falsely arrested black youths. With the help of his very pregnant wife, Martha (Marisa Tomei), he scoops the competition by uncovering a connection to the mob. But his editor, the acerbic penny-counting Alicia (Glenn Close), questions the validity of his findings and refuses to print the story. Curmudgeonly managing editor Bernie White (Robert Duvall) tries to stop his two editors from fighting while losing a battle for his own health. THE PAPER features a terrific supporting cast, including Jason Robards as the paper’s publisher, Randy Quaid as a paranoid columnist, Jason Alexander as a corrupt politician, and Spalding Gray as a New York Times-type editor. However, the movie belongs to Keaton himself, as an ambitious, harried reporter in search of the big story. Two brothers--screenwriter David Koepp and Time magazine editor Stephen Koepp, collaborated on the screenplay. To lend realism to the film, Howard rounded up a large group of media figures to make cameos, including Kurt Loder, Pete Hamill, Bob Costas, Richard Price, William Kunstler, Jane Hanson, E. Graydon Carter, and others.
Set at Christmastime, Gotham City and its holiday celebrations are under siege by the Penguin and a group of circus freaks. When a corrupt businessman and the grotesque Penguin plot to take control of Gotham City, only Batman can stop them, while the Catwoman has her own agenda.
A modern young couple, unmarried but committed, pool all of their resources in order to purchase and renovate a Victorian home in San Francisco's Pacific Heights. By renting out the lower level, they can just get by. Their tenant turns out to be more than they bargained for, but trying to evict him sparks an ever escalating war they can't afford to lose.
Tim Burton's BATMAN, inspired by Frank Miller's graphic novel "The Dark Knight Returns," is a Gothic, Wagnerian treatment of the Batman mythos that explains the origins of Batman (Michael Keaton) and his nemesis, the maniacal Joker (a ripe Jack Nicholson). Gotham City is a sunless, ominous haven for criminals, held in the corrupt grip of crime boss Carl Grissom (the ever-magnetic Jack Palance), and terrorized by a sadistic vandal and murderer known as The Joker. But it isn't long before a dark, mysterious caped crusader, who goes by the name of BATMAN, is on their trail and trying to thwart their evil doings. In this darkly entertaining retelling of the DC comic classic, ace photojournalist Vicki Vale (warmly and sympathetically played by Kim Basinger) is also on the trail--she wants to find out who Batman really is. Based on the popular comic book character created by Bob Kane for DC Comics; the story and tone have nothing in common with the popular TV series of the 1960s. Imaginative special effects and imposing, Gothic architectural sets dominate this visually graphic, stylish film. Keaton gives a brooding performance as the Caped Crusader and his interestingly understated alter-ego Bruce Wane. But is it Nicholson's Joker that steals the show, with his unnerving, brilliantly maniacal portrayal, especially in the context of his twisted relationship with Grissom's gal Alicia (a lanky, disquieting Jerry Hall).
In the surreal, wonderfully cartoon-like comedy BEETLEJUICE, a childless couple, Barbara and Adam (Geena Davis and Alec Baldwin), move to the country only to be killed in a car accident while passing over a quaint covered bridge. Their ghosts return to their beloved Victorian home, and find the HANDBOOK FOR THE RECENTLY DECEASED, which not only lets them know they're dead, but comes in handy when they learn that they can continue to live in their house, even though a new family--from the land of the living--is moving in. The new owners, fresh from the city, are quite a strange group themselves, and include the overpowering hipster mom Delia (Catherine O'Hara), her pompous SoHo interior designer Otho (Glenn Shadix), her meek husband Charles (Jeffrey Jones), and their morose teenage daughter Lydia (Winona Ryder), who befriends the ghostly couple. Though the threesome attempt to scare Delia from ruining the house with redecoration and her unpleasant personality, their attempts fail. As a last resort, they call upon the services of the demented, terrifying, but hilarious "bioexorcist," "Beetlejuice" (Michael Keaton). Director Tim Burton scores big with witty site gags, incredible special effects and sets, and a unique ensemble of characters. BEETLEJUICE is a visually inventive and imaginative comedy taken to a uniquely grotesque and funny level by the manic performance of Michael Keaton in the title role.
