Yeah, you do. Everyone does. Dust mites. They're in your carpets, in your bed. They look like little lobsters. You know, in fact, they're distant relatives. - Terry, FearDotCom (2002)
Two aging spinster sisters have their peaceable Cornwall existence disrupted in 1936 when they take a young Polish violinist into their care. After a particularly violent storm, Ursula and Janet Widington awake to find young man Andrea half-drowned and badly injured on the beach. They slowly discover that he is a Polish Jew with a gift for music as an accomplished violinist, hoping to find his way to America. But the village isn't used to visitors and everyone, with the exception of the sisters, is full of suspicions, especially when Andrea develops a friendship with a beautiful Russian woman vacationing nearby. Eventually, the two must make a choice between trying to keep their new charge for themselves or setting him free in the world.
David Mamet wrote this screenplay under the name Richard Weisz, as a gun for hire, much like the masterless samurai of the film's title, who roamed Japan in the 19th Century, loyal only to themselves. A group of men with highly developed skills are called to a meeting in a deserted warehouse in Paris. Sam (Robert De Niro), an American, may be ex-CIA. Vincent (Jean Reno), the terminally cool Frenchman, is a mystery. Russian computer whiz Gregor (Stellan Skarsgaard) is presumably ex-KGB, and Spence (Sean Bean), a British demolitions man, and Larry (Skipp Suddith), another Yank, round out the team. They've been hired by the IRA, through liaison Deirdre (Natascha McElhone), to steal a briefcase of unknown contents somewhere in Europe. As the unit races from one spectacular location on the French Riviera to another, the Tec-9 reigns, the body count mounts, some Russian gangsters get into the act, and the betrayals come fast and furious. In a rare comic moment, Sam stitches up his own bullet wound, an act of tongue-in-cheek Hemingwayism, and asks a friend to finish before he passes out. RONIN features an exceptional cast, sumptuous locations, and the kind of realistic, high-coefficient-of-adversity car chases and action scenes that one expects from a director of John Frankenheimer's skills.
An insurance salesman/adjuster (Jim Carrey) discovers his entire life is actually a TV show. The life of Truman Burbank has been broadcast around the world with tremendous success since the day he was born. A star for the mere fact that he exists, Truman has no idea that there are cameras in every corner of his world.
