"Broken arrow" is a military term for a nuclear warhead that has been stolen -- and villainous Air Force pilot Vic Deakins (John Travolta) has done just that. In fact, he's pilfered TWO bombs, in an effort to extract a huge amount of cash from the government in exchange for their safe return. However, there's a fly in the ambitious thief's ointment: Riley Hale (Christian Slater), Vic's former co-pilot, whom Vic thought he had killed when he robbed the bombs. Helping Riley is gutsy female Park Ranger Terry Carmichael (Samantha Mathis). Together the duo uses all the artillery, ammo, vehicles, and gumption they can muster, as they risk life and limb to thwart Vic and his vile gang. Hong Kong action specialist John Woo propels the film through trains, Humvees, exploding helicopters and more.
Andrew Shepherd (Michael Douglas) is a handsome, youthful widower and a dedicated Democrat raising a teenage daughter. He also just happens to be the president of the United States of America, and a very popular one at that. Unfortunately, he’s also quite lonely, and the life of a president leaves little time for dating. But when he meets luminous lobbyist Sydney Ellen Wade (Annette Bening), he's instantly smitten and impulsively (and somewhat awkwardly) asks her out to a state dinner. Shocked and highly uncertain of what she's getting into, Sydney accepts his invitation, and the courting process begins--to the unrelenting delight of the media. The chief executive's protective staff, however, isn't so sure the romance is a good thing, particularly when political paparazzi capture Sydney spending the night in the presidential bedroom. While intriguing to the press, the affair spells trouble in the form of Republican presidential hopeful Bob Rumson (Richard Dreyfuss), who uses the romance to attack Shepherd's supposed lack of family values and moral instincts. Rumson's ploy works--Shepherd's popularity plummets, weakening his reelection bid, his hand on Capitol Hill, and ultimately threatening his relationship with Sydney. If Shepherd salvages his political career, will it be at the expense of Sydney's love?
The fourth screen adaptation of Louisa May Alcott’s classic 1869 novel, LITTLE WOMEN, is given a realistic and rounded treatment by screenwriter Jo Swicord and Australian director Gillian Armstrong, whose perspective emphasizes a feminist tone. The story chronicles the lives of a mother and four daughters and their daily toils during the Civil War in the absence of their father, a Union army chaplain. Winona Ryder (in an Oscar-nominated performance) is vibrant as Jo, the least conventional of the sisters. Christian Bale captures the ebullience of their neighbor, Laurie, whose company Jo enjoys so much it seems inevitable that they will end up together. Kirsten Dunst (at age 12) gives a fiery performance as the younger Amy, proving even more willful than Jo; Claire Danes brings a mysterious otherworldliness to Beth. LITTLE WOMEN, touchingly rendered, has many subtle moments and an appropriately moving visual sense to accompany the narrative. Susan Sarandon and Gabriel Byrne also star in this well-crafted film.
