People wrestle sometimes making movies, and I think that conflict is a very essential thing. I think a lot of very happy productions have produced a lot of very banal movies.
trivia
He treasures his private life and being able to live a normal life - and can't imagine not being able to take the New York subway if he gets too famous.
During the Crusades--the world shaping 200-year collision between Europe and the East--a blacksmith named Balian has lost his family and nearly his faith. The religious wars raging in the far-off Holy Land seem remote to him, yet he is pulled into that immense drama. Amid the pageantry and intrigues of medieval Jerusalem he falls in love, grows into a leader, and ultimately uses all his courage and skill to defend the city against staggering odds. Destiny comes seeking Balian in the form of a great knight, Godfrey of Ibelin, a Crusader briefly home to France from fighting in the East. Revealing himself as Balian's father, Godfrey shows him the true meaning of knighthood and takes him on a journey across continents to the fabled Holy City. In Jerusalem at that moment--between the Second and Third Crusades--a fragile peace prevails, through the efforts of its enlightened Christian king, Baldwin IV, aided by his advisor Tiberias, and the military restraint of the legendary Muslim leader Saladin. But Baldwin's days are numbered, and strains of fanaticism, greed, and jealousy among the Crusaders threaten to shatter the truce. King Baldwin's vision of peace--a "kingdom of heaven"--is shared by a handful of knights, including Godfrey of Ibelin, who swear to uphold it with their lives and honor. As Godfrey passes his sword to his son, he also passes on that sacred oath: to protect the helpless, safeguard the peace, and work toward harmony between religions and cultures, so that a kingdom of heaven can flourish on earth. Balian takes the sword and steps into history.
A band of thieves, led by Charlie Croker (Wahlberg), pulls off the ultimate heist by rigging the stoplights of the city of Los Angeles so that they can drive right out of the city with a carful of gold (in a safe that they're stealing back after Croker's double-crossing ex-partner, played by Edward Norton, stole it from Croker first), with nothing but green lights, while everyone else gets red lights, thus keeping the roads plugged with the largest traffic jam in L.A. history, and the police from pursuing them.
In this prequel to "The Silence of the Lambs," the story of former FBI agent Will Graham, who was nearly killed by Hannibal Lecter, is told, and it includes the initial capture of "The Cannibal."
Career thief Nick Wells (Robert De Niro) is about to mastermind a nearly impossible theft that will require his joining forces with a clever young accomplice (Edward Norton). The unlikely alliance, arranged by Nick's longtime friend and fence, Max (Marlon Brando), interrupts Nick's plan to retire from crime and settle down with his fiancee, Diane (Angela Bassett). Even worse, it requires that Nick violate his most important rule: Always work alone.
Powerful, media-hungry Chicago defense attorney Martin Vail (Richard Gere) gets in over his head when he takes the case of an altar boy (Edward Norton making his film debut) accused of murdering an archbishop. His opponent for the prosecution is his former protege and lover Janet Venable (Laura Linney), who's out to make this her watershed case. A suspenseful courtroom with a truly unexpected ending, this drama is based on the novel by William Diehl.
